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General interest

Filling in the shades of nature

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Shades-of-Nature-coverFor many years I was never really excited about black and white wildlife photography. For me it didn’t make sense to subtract colour from the multi-coloured world for it didn’t seem to improve the image. There were some black and white nature books that I really enjoyed, but as a rule I was never attracted to, or even wanted to page through, monochrome books in the bookshops. They all seemed a bit inferior to the brilliant colourful wildlife books out there.
Last Updated on Monday, 17 May 2010 23:47 Read more...
 

Lens Addict

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When I was 10 years old someone close to me should have noticed it. Walking through the camps of the Kruger NP with a Novoflex lens longer than I was, was not natural, and although I was very conscious of the stares and comments directed at me by men with beer bellies around camp fires, I didn’t realize I was that different. I thought most kids had a bazooka-like lens somewhere in their parents’ cupboards that they were too shy to walk around with. So I shrugged off comments like ‘Do you have a license for that thing?’ and pretended that the whole of the rest camp wasn’t laughing at me.
Last Updated on Thursday, 13 May 2010 14:15 Read more...
 

Living with baboons - 101

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smallbaboonSome time recently, while fellow contributor Greg du Toit was in the midst of going viral, he gave an interview to the BBC that included his confession that he hates baboons. In Greg’s case, it was because they had the temerity to crap in his famous waterhole. But Greg is not alone. In fact, at some stage or the other, most people have hated baboons.

Baboons raid our houses, rip open our Liqui Fruit boxes and make us mop up the sticky mess inside our tent in the middle of Botswana when its 40º C, vandalise our crops and yes, they crap in our waterholes.

Last Updated on Thursday, 13 May 2010 12:17 Read more...
 

Monitor Calibration - do we really need it?

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Bad_Colour

I have been wanting to tackle this question for some time now and have been pondering the answer and from which angle to handle it.

A recent conversation brought it to a head, though. so here goes:

If: Colour is perceived differently by different people,
and If: Photography for the sake of Art can have some lenience as to colour accuracy,
then: Why do we need to calibrate our monitors?

Last Updated on Wednesday, 03 March 2010 16:42 Read more...
 

Billabong 2009 – A surf photographer’s perspective

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surfing

Each year the small sea side town of Jeffrey’s bay becomes a hive of activity as the world’s top 40 surfers descend upon it to pit themselves against each other at the world renowned Super Tubes point break. A weather window of 10 days is allotted each year around July to allow the famous winter swells that visit our shores to provide the perfect 8 ft to 10 ft walls and tubes at this, one of the worlds top surf breaks.

Last Updated on Monday, 16 November 2009 19:21 Read more...
 
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Newsflash

TOKYO, August 24, 2010 —Canon Inc. announced today that it has successfully developed an APS-H-size*1 CMOS image sensor that delivers an image resolution of approximately 120 megapixels (13,280 x 9,184 pixels), the world's highest level*2 of resolution for its size.

Compared with Canon's highest-resolution commercial CMOS sensor of the same size, comprising approximately 16.1 million pixels, the newly developed sensor features a pixel count that, at approximately 120 million pixels, is nearly 7.5 times larger and offers a 2.4-fold improvement in resolution.*3

With CMOS sensors, while high-speed readout for high pixel counts is achieved through parallel processing, an increase in parallel-processing signal counts can result in such problems as signal delays and minor deviations in timing. By modifying the method employed to control the readout circuit timing, Canon successfully achieved the high-speed readout of sensor signals. As a result, the new CMOS sensor makes possible a maximum output speed of approximately 9.5 frames per second, supporting the continuous shooting of ultra-high-resolution images.

Canon's newly developed CMOS sensor also incorporates a Full HD (1,920 x 1,080 pixels) video output capability. The sensor can output Full HD video from any approximately one-sixtieth-sized section of its total surface area.

Images captured with Canon's newly developed approximately 120-megapixel CMOS image sensor, even when cropped or digitally magnified, maintain higher levels of definition and clarity than ever before. Additionally, the sensor enables image confirmation across a wide image area, with Full HD video viewing of a select portion of the overall frame.

Through the further development of CMOS image sensors, Canon will break new ground in the world of image expression, targeting new still images that largely surpass those made possible with film, and video movies that capitalize on the unique merits of SLR cameras, namely their high mobility and the expressive power offered through interchangeable lenses.


*1The imaging area of the newly developed sensor measures approx. 29.2 x 20.2 mm.
*2 As of August 20, 2010. Based on a Canon study.
*3 Canon's highest-resolution commercial CMOS sensor, employed in the company's EOS-1Ds Mark III and EOS 5D Mark II digital SLR cameras, is equivalent to the full-frame size of the 35 mm film format and incorporates approximately 21.1 million pixels. In 2007, the company successfully developed an APS-H-size sensor with approximately 50 million pixels

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